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      John Hiatt in Annapolis

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      November 13, 2019

      Wednesday   8:00 PM

      31 West Street
      Annapolis, Maryland 21401

      John Hiatt

      with Adam Chaffins
      You know how writing goes for me, John Hiatt says, offering a glimpse into his creative process. I get a couple of lines going, and then I just tag along as the songs start to reveal themselves. Youve just gotta jump inside and take the ride.Hiatt has been on that rideas have we all, tagging along right beside himfor more than four decades now. In fact, since the release of his 1974 debut, Hangin Around the Observatory, rarely has more than a year or two passed without a new Hiatt collection hitting the shelves. But after wrapping up a year of touring in support of 2014s Terms of My Surrenderthe singer-songwriters 22nd studio effort overallhe found himself, for the first time in a long time, unsure of what would come next.Not that he panicked. Ive been lost before, Hiatt says, with the self-assurance of a man who has experienced a thing or two over his long and varied career. Although usually I have some sort of notion or clue where to go.But this time? He laughs. I had no sense whatsoever.As for the cause of this uncertainty? Life, really, he says. Or just changes in life. My wife and I made the decision to sell our farm [in Williamson County, Tennessee] and move back into Nashville. I wanted to spend more time with my family. I was aging, with all that entails or doesnt entail. Stuff was just happening.During this period of transition Hiatt did manage to compose a new songa dusty, road-worn meditation titled Robbers Highway. But the lyrics he penned (I had words, chords and strings / now I dont have any of these things) sounded almost ominously prophetic. I was just thinking in terms of somebody whos out there hammerin away with his music, wondering what its all coming to, Hiatt explains. And maybe the songs just arent there anymoreFast-forward a few years, however, and its clear that, for Hiatt at least, the songs are still very much there. And The Eclipse Sessions, his newest collection, offers up his strongest set of em in years. Long celebrated as a skilled storyteller and keen observer of lifes twists and turns, Hiatt can get at the heart of a knotty emotion or a moment in time with just a sharp, incisive lyric or witty turn of phrase. And the 11 tracks presented here, from the breezy opener Cry to Me, to the stark Nothing in My Heart, the lost-love lamentation Aces Up Your Sleeve to the rollicking Poor Imitation of God, demonstrate that the singer-songwriter, now 66, is only getting better with age, his guitar playing more rugged and rootsy, his words wiser and more wry.And while he may have started slow this time around, once Hiatt got going, the material that would eventually comprise The Eclipse Sessions came quickly. Following his move back to Nashville in 2017, he recalls, I put together a little area in the basement of our new house, a space for me to write in. And the songs just started coming again.From there, things picked up steam. Hiatts longtime drummer, Kenneth Blevins, suggested they visit a friend of hismusician Kevin McKendreeat his farmhouse studio on in Franklin, Tennessee. There, Hiatt, Blevins and bassist Patrick OHearn set up shop and began recording the new songs as a trio, with McKendree producing. I was on acoustic and singing, Kenneth was on a small drum kit and Patrick was on electric bass or upright bass as the song required, Hiatt recalls.After the basic tracks were done, he continues, Kevin would put either piano or organ on, and his son, Yates [McKendree], whos just an incredible musician, would come in and add some electric guitar. But the main tracks were me, Kenneth and Patrick doing everything together live, including vocals.This stripped-back approach put the focus right where it ought to beon Hiatts guitar and voice. I want to push what I do up there in the mix, because its all I got, he says, then laughs. Might as well go all in at this point!Hiatt certainly does go all in on The Eclipse Sessions. Theres a grit to these songsa craggy, perfectly-imperfect quality that colors every aspect of the performances, right down to Hiatts vocals, which are quite possibly his most raw and expressive to date.They aint pretty, thats for sure, he says about the creaks and cracks that punctuate his phrases in songs like Poor Imitation of God and One Stiff Breeze. But I dont mind a bit. All the catches and the glitches and the gruffness, that sounds right to me. That sounds like who I am.Its the sound of an artist not only living in but also capturing the moment. Which, in Hiatts estimation, places The Eclipse Sessions in a lineage alongside two of his greatest works1987s mainstream breakthrough Bring the Family, which sprung from an impulsive four-day session with an all-star combo led by Ry Cooder, and 2000s Crossing Muddy Waters, an unplanned and largely unplugged effort that set Hiatt on the rootsier path hes still pursuing today.The three albums are very connected in my mind, Hiatt says. They all have a vibe to them that was unexpectedat least to me, anyway. I didnt know where I was going when I started out on any of them. And each one wound up being a pleasant surprise.To be sure, pleasant surprises abounded during the recording of The Eclipse Sessionsand not only inside the studio. True to the albums title, Hiatt and his band were hard at work on the very day August 21, 2017a solar eclipse traveled the length of the continental U.S. I think we recorded three songs that day, and then we took a break to go outside and watch everything happen, Hiatt says.The eclipse itself, of course, was hardly unpredicted. But what Hiatt observed amongst his fellow Nashvillians during that moment of totalityhis city was one of a few spots in the U.S. to be plunged into near complete darknessdid give him pause.It seemed everything stopped for a minute or two, he says. It was like a magical little bit of time, a harmonic convergence or something. Like everybody was on the same pageand that page wasnt Facebook! So it reminded me of old times in Nashville.He laughs. Getting nostalgic for the old days, as old farts doOld fart? Not Hiatt, not now. Hes more the guy in The Eclipse Sessions Over the Hilllong in the tooth but still taking huge bites of life. Hiatt can only smirk about that line. I thought that was a funny one, he says. Like, This is a kick Im trying to make aging sound appealing! Or the troubadour in Robbers Highway, peeling himself out of a hotel bed in order to make it to the next show. Weve all had nights like thatCant feel the fingers of one hand / last night felt like a three-night stand, Hiatt says, quoting the songs first lines. I mean, thats a laugh amongst most of us who have ever been out there on the road. But playing music is the most wonderful gig in the world. Its just that the cost is high. I dont know that people necessarily know the price.Its a price that Hiatt willingly, and for the most part, quite happily, continues to pay. Since 2000 hes been on a remarkable late-career run, releasing nine acclaimed studio albums and embarking on numerous tours in the U.S. and abroad. In fact, even as he prepared for the release of The Eclipse Sessions, his tenth record this century, Hiatt could be found traveling the robbers highway in Europe with his old backing band, the Goners (featuring slide guitarist extraordinaire Sonny Landreth) for a tour celebrating the 30th anniversary of his 1988 album, Slow Turning.Its been cool to be out with the original band and playing those songs again, Hiatt says. Because for me it was one of those records that helped to build up the following Ive had for the past 30 years. We really took a leap with that one.As for whether Hiatt could have ever imagined that, at 66 years old, hed be experiencing yet another great leap with The Eclipse Sessions?I would never have imagined any of it, he responds. If youd had told me this 40 years ago I wouldve just said, Cmonyoure pullin my leg! So to have this kind of longevity, and still be healthy and have a wife and family and kids and everybodys doing well no, I would never have dreamed it. I would have thought itd gone away a long while ago.Gone away? Hardly. In fact, with The Eclipse Sessions, Hiatt might very well be gearing up for yet another new beginning.He considers the possibility.Maybe, he says, then laughs. Or a last gasp! You be the judge!He laughs again. Either way, its good with me.

      Cost: 85.00

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